Arthur King, by Bartoli and Domestici, was an unprecedented and interesting experience that enabled us to try our hand at comics with the halftone dot effect. I really liked the character, and even more his “right-hand man” Rex the reptile. The product was a heap of the most interesting elements of minor series of comics, a brilliant and cheerful mix of them… How many other editorial teams would allow you to draw alien centaurs, spaceships, mutant giant mice, huge robot children, underground gremlins and cyberspace cowboys in only two stories